Ilava Prison
The Tattooist of AuschwitzIlava Prison stands as the grim post-war counterpart to the Nazi camps in Lale Sokolov's story—a place where, after surviving Auschwitz and Birkenau, he once again faced imprisonment, this time at the hands of his own country's authorities. It was here that Lale was confined for two years after being arrested on April 20, 1948, charged with "exporting jewelry and other valuables from Czechoslovakia." The prison had become famous for holding political prisoners and German prisoners after the war, and it was within its walls that Lale's final escape from Czechoslovakia was engineered, marking the last great test of his will to live free.
Historical Context and Lale's Imprisonment
The arrest that led to Ilava Prison grew directly out of Lale's post-war prosperity. After the war, his business had grown, he had taken on a partner, and profits increased. He and Gita Furman dined at the best restaurants and vacationed at resorts around the Soviet Union. They were strong supporters of a movement to establish a Jewish state in Israel, and Gita in particular worked quietly behind the scenes, obtaining money from wealthy locals and arranging for it to be smuggled out of the country. When the marriage of Lale's business partner ended, his ex-wife reported Lale and Gita's activities to the authorities. The arrest warrant declared that "As a result, Czechoslovakia would have suffered untold economic losses and Sokolov would have obtained for his unlawful and marauding action significant values in money or possessions." Yet while Lale had indeed been exporting jewelry and money, there was nothing financial in it for him—he had been giving money away, funding the Zionist cause rather than enriching himself. Two days after his arrest, his business was nationalized, and he was sentenced to two years in Ilava Prison.
The Deception and Escape
Lale and Gita had been smart enough to stash some of their wealth, and with contacts in the local government and judiciary, Gita was able to bribe officials to help. The plan that unfolded inside Ilava Prison was a carefully staged performance of madness. One day, Lale received a visit from a Catholic priest. After a while, the priest asked the prison officials to leave the room so he could hear Lale's confession, which was sacrosanct and for his ears only. Alone with Lale, the priest told him to start acting as though he were going mad. If he did a good enough job, the officials would have to get a psychiatrist to see him. Before too long, Lale found himself in front of a psychiatrist, who told him he was going to arrange for him to be given leave to go home for a few days before he "went over the edge and couldn't be brought back." A week later, Lale was driven to the apartment where he and Gita lived, told he would be picked up in two days to complete his sentence. That night, with the help of friends, they slipped out the back of their apartment building with a suitcase each of possessions and a painting that Gita refused to leave behind—a painting of a Romany woman. They also took a large amount of money to give to a contact in Vienna who was destined for Israel. Then they hid behind a false wall in a truck taking produce from Bratislava into Austria.
Significance in Lale's Story
The Ilava Prison episode reveals a crucial dimension of Lale's character that the camp years had already established: his refusal to accept imprisonment as a permanent condition. Just as he had declared in Auschwitz that he would live to leave that place and walk out a free man, so too did he refuse to serve out his sentence in Ilava. The prison also demonstrates the resourcefulness and loyalty of Gita, who worked from the outside to secure her husband's freedom through bribery and carefully placed contacts. The escape from Ilava Prison was the final act of flight in a life marked by repeated escapes—from the cattle train, from Birkenau, from the Saurer-Werke subcamp, from the Russian headquarters—and it led directly to the couple's flight from Czechoslovakia into Austria, and eventually to a new life far from the horrors of both the camps and the political persecution that followed. The prison thus stands as the last barrier between Lale and the freedom he had promised himself and Gita he would find, and its deception of feigned madness became the final key that unlocked it.
